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Willy Shives

www.willyshives.com 

 

Tel. 773.209.7181.  wshives@aol.com           willyshives@gmail.com

SUMMARY STATEMENT:

I am a highly-skilled and seasoned dance professional with years of experience as a Principal Dancer, Ballet Master, Répétiteur, Choreographer, and Director. I have a deep understanding and commitment to the classical art form while remaining open to the future of dance in all its forms. 

 

PROFESSIONAL EXPERIENCE:

World Ballet Competition, USA - Adjudicator, Master Teacher, Gala Supervisor & Choreographer (since 2016-)

Dance Institute, Austin, TX - Ballet Coach Upper Division (2020-)

Grace Ballet Conservatory, Austin, TX - Ballet Instructor (2018-2020)

Universal Ballet, Seoul, South Korea - Répétiteur Coach (2019)

New Zealand School of Dance, Aotearoa New Zealand - Répétiteur Coach (2019)

Singapore Dance Theatre,  Singapore - Répétiteur Coach (2013)

Ballet San Antonio, TX - Artistic Director (2015-2018)

Joffrey Ballet, Chicago, IL - Principal Artist, Ballet Master, Community Engagement Coordinator, Academy Faculty (1999-2015)

Ballet Austin, TX - Principal Dancer (1998-1999 & 1982-1985)

Pittsburgh Ballet Theatre, PA - Principal Dancer (1993-1998)

Corpus Christi Concert Ballet - TX - Guest Artist (1989-1999)

Grand Rapids Ballet, MI - Guest Artist & Répétiteur Coach (1997)

Milwaukee Ballet, WI - Principal Dancer 1992-1993 & Guest Artist (1995-1999)

Minnesota Dance Theatre - Minneapolis, MN - Guest Artist (1985-1994)

Tulsa Ballet Theatre, OK - Principal Dancer (1986-1991)

St. Louis Ballet, MO. - Guest Artist (1990)

Eglevsky Ballet, NYC - Company Dancer (1981)

 

RÉPÉTITEUR WORK & STAGING:

Antony Tudor Trust (Appointed in 2008-)

The Gerald Arpino Foundation (Appointed in 2008-)

 

Joffrey Ballet - Répétiteur Work

Birthday Variations (G. Arpino)

Carousel (C. Wheeldon)

Waterbaby Bagatelles (T. Tharp)

Deuce Coupe (T. Tharp)

The Dream (F. Ashton)

Rite of Spring (M. Hodson & K. Archer)

Pretty Ballet (J. Kudelka)

Crossed (J. Lang)

Round of Angels (G. Arpino)

Othello (L. Lubovitch)

Nutcracker (Joffrey/Arpino)

Lilac Garden (A. Tudor)

Dark Elegies (A. Tudor)

Age of Innocence (E. Liang)

Untitled (Pilobolus)

Return to a Strange Land (J. Kilian)

Sea Shadow (G. Arpino)

Cinderella (F. Ashton)

Viva Vivaldi (G. Arpino)

Confetti (G. Arpino)

Moor’s Pavane (J. Limon)

 

Singapore Dancer Theater - Répétiteur Work

Age of Innocence (by E. Liang)

 

Western Michigan University - Répétiteur Work

Birthday Variation (by G. Arpino)

Dark Elegies (by A. Tudor)

Viva Vivaldi (by G. Arpino)

 

Texas Christian University - Répétiteur Work

Birthday Variations (by G. Arpino)

 

Grand Rapids Ballet - Répétiteur Work

Knoxville, Summer 1915 (by: Loyce. Houlton)

 

Pittsburgh Ballet Theatre Dancers’ Trust Benefit, Production Director-1995 & 1996 - Répétiteur Work

Footage (by P. Anastos)

Harvest Moon (by L. Di Ribere)

Appearances (by L. Taylor-Corbett

Wingborne (by L. Houlton)

 

Shives Texas Tour 2001- Director

Who Cares?   ©The George Balanchine Trust

 

CHOREOGRAPHY (Viewing Access upon request):

  • Breakthrough (Dance Institute 2020)

  • La Foule (Dance Institute 2021)

  • Dance for Ukraine (World Ballet Competition Gala Performance 2022)

  • “Coco” Special Choreographic Commission (set to the Musical Soundtrack from Coco). Event honoring Germaine Franco, musical composer and recipient of the “Empresario for Equity” award during the 89th Annual San Antonio Hispanic Chamber of Commerce Gala Feb. 2018.

  • Elements (Premiere Nov. 2016 Luminaria Contemporary Arts Fest. San Antonio).

  • Something Stupid (Premiere Nov. 2017 Luminaria Contemporary Arts Fest. San Antonio)

  • Giselle (Ballet San Antonio. Oct. 2017)

  • The Sorcerer’s Apprentice (Ballet San Antonio. Premiere Feb. 2018)

  • Don Quixote (full-length production after Petipa)

  • The Nutcracker (full-length production)

  • Sleeping Beauty (full-length production after Petipa)

  • Bolero (Premiere April 8, 2017)

  • Amore Eterno (World Premiere McAllen, TX March 17, 2017 - music by Juan Gabriel sung by Rocío Dúrcal)

  • Solace (2013 Chicago Premiere)

  • Amulet (Zoo Ball Gala San Antonio October 2016)

  • Dancing with the Czars (Excerpts from The Sleeping Beauty) Lakeshore Symphony Orch. Chicago 2014

  • A Tropical Fiesta (a ballet celebrating Hispanic Heritage 2016)

  • Pie Jesu (2016 World Premiere San Antonio Botanic Garden)

  • Las Fundaciones de Béjar: A Mythic Opera of the Foundings of San Antonio de Béjar (Dance choreography 2016)

  • Dirty Dancing Celebration (Zoo Ball San Antonio, Oct. 2017)

  • Carmen (Pas de Deux Suite 2018)

  • Bella (Pas de Deux 2018)

  • Zacatecas - Meet Marisol for American Girl Doll Dance Performance Chicago (2005)

 

AWARDS:

  • Luminaria Arts Festival Grant Choreographic Commissions 2016 and 2017

  • Ballet San Antonio, “Best Arts Organization 2017” Best of City San Antonio Magazine

  • Texas Legacy Award- for Artistic Achievement Dance Council Dallas, TX (2005)

  • "Chicagoan of the Year" by the Chicago Tribune in 2003

  • “Outstanding Artistry” by the Chicago Dance and Music Alliance 2004

  • Named one of “Chicago Theatre’s 50 Leading Characters” in 2004

 

 

TEACHING—University Programs:

  • Texas Christian University (Residency 2014)

  • Western Michigan University (Residency 2009, 2010, 2011, 2012, 2013)

  • University of Iowa Dance Dept. (Guest teacher 2004)

  • University of Pittsburgh, Dance dept. (Master classes 1994 – 1997)

  • Southern Methodist University in Dallas, TX (Master class 1987)

  • Southwest Texas University-dance dept. (Master class 1983)

 

TEACHING—Ballet intensive Workshops/Master classes:

  • World Ballet Competition, Orlando, FL (since 2016-)

  • El Paso Ballet Theatre Summer Intensive Workshop (2018)

  • Ballet West Professional Training Division (2018)

  • Texas Metropolitan Ballet-Intensive Workshop (Summers 2018-2022)

  • Collierville Ballet Intensive Seasonal Workshops (2018-2021)

  • Danzforce Academy, McAllen, TX (2018)

  • Boys & Girls Clubs of San Antonio (2015-2018)

  • Saint Mary’s Hall-Tobin Fine Arts (Guest Teacher 2016-18)

  • Edinburg Dance Center - guest teaching and workshops( Guest 2006- 2022)

  • Victoria Ballet-Master workshop (Summer 2015)

  • Ballet Lubbock-Master workshop (Summer 2015)

  • Edinburg Consolidated Independent School District - Edinburg, TX (2018, 2019, 2020)

  • Joffrey Ballet Academy of Dance (Official School of the Joffrey Ballet-Chicago)

  • Joffrey Outreach & Education (Chicago Public Schools 2012-2015)

  • Joffrey Ballet Company Classes (since 2005-2015)

  • Joffrey Summer Intensive Dance Workshop Chicago (2005-2013)

  • Joffrey Workshop Texas 2005, 2006)

  • Wilderness Dance Camp - Northern Minnesota (2000)

  • Center For Creative Arts - St. Louis (Master classes 2011)

  • Colburn School for the Performing Arts – Los Angeles, CA (Guest 2007)

  • Pittsburgh High School for the Creative and Performing Arts (Guest 2007)

  • School of Ballet Chicago (Guest 2000 –2006)

  • Chicago Ballet Arts (Guest 2006-2013)

  • Dance Place– Performing Arts High School, Washington, DC (Guest 2004)

  • Ballet Academy of Texas, Dallas, TX (Guest 2005)

  • Faubourg School of Ballet – Chicago (Guest 2003)

  • Corpus Christi Concert Ballet - Master classes (1989-1999)

  • Northeastern Regional Dance Festival (Pittsburgh, PA 1998)

  • Deborah Case Dance Academy, TX- Ongoing guest teacher TX (1999-2019)

  • Pittsburgh Youth Ballet - guest teacher (1995-1998)

  • Dance Alloy - Carnegie Museum-Pittsburgh, PA  Guest teacher (1994)

  • Edinburg, TX Rec. Dept. Community Outreach Program (1979-80)

  • Austin Contemporary Ballet (Master classes 1993-97)

  • Tulsa High School for the Performing Arts Ed. Outreach Program (1986-92)

 

TELEVISION & FILM WORK:

  • “Joffrey: Mavericks of American Dance,” film documentary (2012) Bob Hercules Director

  • “The Company” Director: Robert Altman, featuring the Joffrey Ballet (Sony Classics Pictures 2003)

  • “The Dance Project” HMS Media’s first full-length series - aired on WTTW April 2005 (Samantha Albert, an acclaimed alumnus of The Second City, takes us inside the Chicago dance world, where Shives and a select group of Joffrey dancers share a unique perspective of their art form. The project was funded in large part by The Chicago Community Trust, the Richard Driehaus Foundation, and a group of individual donors).

  • Appearance on "NightTalk" Pittsburgh Cable News Network (PCNC), interview/ performance with host Steve McIntyre. • Pittsburgh Ballet Theatre (Television Commercial work)

  • CBS Sunday Morning with Charles Kuralt (1990 with Tulsa Ballet Theatre)

  • Ballet film "A Soldier's Tale." ARC Film Studio Production-New York City, June 1982 "Shives proved a fine actor as well as an accomplished dancer...All in all if one wanted to see Stravinsky's The Soldier's Tale the ARC Studio in Heights-Inwood was the place to be." —Elizabeth Prielozny arts critic Uptown (magazine NYC)

  • "Knoxville Summer of 1915" — Ballet Film directed by Jim Lund, Produced by B. Marcou and T. Purvey, Choreography by Loyce Houlton (1986)

  • "Good Morning Minneapolis" (TV appearance for Minnesota Dance Theatre).

  • Promotional appearances on News4SA (2016-2018)

 

DANCE REVIEWS:

 

THE NEW YORK TIMES

“Willy Shives, is a highly interesting dancer and gave the ballet's interpolated solo a human warmth.”

—Anna Kisselgoff  (Dance Review of “Square Dance” - Kennedy Center, Balanchine Celebration; September 14, 2000).

 

 

THE NEW YORK TIMES  Millennium Issue (Sunday, December 31, 2000)

Shives was featured on the front page of the NY Times; recognized as one of the memorable highlights worth reflecting on in dance.

 

 

THE NEW YORK TIMES

“Willy Shives was perfect, a roué of a bridegroom.”   —Anna Kisselgoff

(Dance Review of “Wedding Bouquet,” Ashton Celebration Lincoln Center; July 9, 2004).

 

 

THE NEW YORK TIMES

“Willy Shives, an astounding dancer who immerses himself completely into every role...” —Anna Kisselgoff  (Dance Review of “Appalachian Spring,” Auditorium Theater, Chicago, October 24 2000).

 

 

SAN FRANCISCO CHRONICLE

"Willy Shives was especially exciting in the role perhaps most identified with the irreplaceable Edward Villella. The cavalier in Rubies is unusual in that he has to challenge the ballerina as much as he must support her, and Shives caught the spirit of the Balanchine's intentions with a vengeance. He was rhythmically alert through all the syncopations of Stravinsky's Capriccio for Piano and Orchestra, with the shimmer of a true star.” 

      — Octavio Roca, Arts Critic (October 1994).

 

 

TULSA TRIBUNE (Dance Review on ballet Billy the Kid)

“As the Kid, Willy Shives displayed explosive technical prowess and the rare ability to express blinding rage through body language. Shives projected the image of a cold-hearted killer with startling dimension.”

 

 

TULSA TRIBUNE

"Shives was in superior technical and comedic form."

 

 

CHICAGO SUN-TIMES

“Shives’ feathery light jumps were counterpointed by his mysterious and emotionally weighty interpretation of a solo sequence that demonstrated the hidden power of this Balanchine work.” —Hedy Weiss.  (Dance Review Kennedy Center, Washington, D.C.; September 15, 2000).

 

 

CHICAGO TRIBUNE Arts Critic, Sid Smith calls Shives…

"the troupe's best male stylists." Adding further on Shives' performance in last season's "Taming of the Shrew," Mr. Smith says, "His graceful, buoyant execution is the equivalent of velvet.”

 

 

NEW CITY CHICAGO: “Players 2004” issue. Willy Shives was among a respected class of Players who made the 2004 list (An annual list composed of 50 of the most celebrated and respected artists working on stage or behind the scenes in Chicago.

 

 

DANCE MAGAZINE

The reviewer writes of Lew Christensen's Filling Station...

"Shives unleashed explosive technical power and all-American exuberance that sent sparks into the audience. His high, resilient leaps (as though sprung from some invisible trampoline) and split jumps appeared to stop in midair. Fast multiple turns and crisp entrechants brought well deserved applause."

 

 

PITTSBURGH POST GAZETTE

"Shives had it all: bravado, playfulness and technical surety in one compact package."

            —Jane Vranish (Dance Review of Balanchine's Tarantella)

 

 

AUSTIN AMERICAN STATESMAN

"Willy Shives solos were frequently interrupted by enthusiastic applause. Shives, a technically advanced dancer who can jump like a pole vaulter and turn as quickly as a motorcycle wheel, has the kind of bravado spirit that converts football playing macho men into ballet lovers."

 

 

MINNEAPOLIS STAR & TRIBUNE calls Willy Shives "compact, virtuosic, and full of charm."

 

 

 

FORMAL DANCE TRAINING:

Houston Ballet Academy - Houston, TX

School of American Ballet - NYC (School of the New York City Ballet)

Harkness Ballet School - NYC

American Dance Machine – NYC

Southern Methodist University Dallas, TX (Summer Programs)

Rio Grande Valley Civic Ballet - McAllen, TX

Gisela Noreiga Flamenco Company - Rio Grande Valley, TX

BALLET TECHNIQUE/STYLES:

Vaganova

Cecchetti

Royal Academy of Dance

French School

Balanchine

Bournonville

 

MODERN/CONTEMPORARY TECHNIQUE:

Martha Graham Technique

Lester Horton

Lee Theodore, American Dance Machine-Jazz

Alvin Ailey

 

OTHER:

Ballroom

Latin Dance

Spanish Flamenco

Tap

 

EDUCATION:

Edinburg High School, Edinburg,TX (Graduate 1980)

Has Attended:

  • University of Texas at Austin

  • University of Texas - Pan American

  • Tulsa Junior College - Tulsa, OK

  • Austin Community College - Austin, TX

 

ADDITIONAL SKILLS/TRAININGS:

  • Understands how to positively impact the community with art and culture

  • Effective and knowledgable public speaker and communicator

  • Ability to manage groups while collaborating with team members to meet the common mission and goals of the organization.

  • Understands the importance of an arts education for all and is able to develop programming that focuses on equity, diversity, and inclusiveness.

  • Ability to make decisions and meet deadlines

  • Ability to manage artistic and business matters

  • Fluent Spanish Speaker

  • Computer MS Office Skills

 

SAFETY CERTIFICATIONS:

CPR/AED

First Aid Certified

Water Safety Instructor & Professional Rescuer- Lifeguard American Red Cross

 

PERFORMANCE REPERTOIRE

The performance list may contain omissions, as it is intended to provide a more general list of Shives’ extensive performance repertoire.

 

Joffrey Ballet Repertoire

Age of Innocence

Allegro Con Sabor

Billy the Kid

Birthday Variations

Celebration

Cinderella

Deuce Coupe

*Dark Elegies

Frankie and Johnny

*Kettentanz

L’Air D’Esprit

L’Après-Midi d’un Fauné

Le Sacre du Printemps

Le Noces

Les Patineurs

Light Rain

Lilac Garden

Parade

Partita for R & J

Petrouchka

Pretty Ballet

The Prodigal Son

The Nutcracker

Return to a Strange Land

Remembrances

Reflections

Rodeo

Romeo and Juliet

Round of Angels

Ruth, Ricordi per Due

Square Dance

Suite Saint-Saëns

Taming of the Shrew

Trinity

Viva Vivaldi

 

Balanchine Repertoire

Allegro Brillante

Ballet Imperial

The Four Temperaments

Jewels

Mozart Violin Concerto

The Nutcracker

The Prodigal Son

Rubies

Scotch Symphony

Serenade

La Sonnambula

Square Dance

Steadfast Tin Soldier

Stars and Stripes

Symphony in C

Tarantella

Western Symphony

Who Cares?

 

Classical Repertoire

Le Bayadere

Cinderella

Le Corsaire

Coppelia

Don Quixote

Dracula

Firebird

La Fille Mal Gardee

The Flames of Paris

Giselle

Nutcracker

Nutcracker Fantasy

Paquita Pas de Trois

Classique

Raymonda

Romeo and Juliet

Sleeping Beauty

Suite En Blanc

Swan Lake

Les Sylphides

La Sylphide

 

American Ballet Repertoire

Appalachian Spring

Ballad of You and Me

Billy the Kid

Con Amore

Le Combat

Filling Station

Frankie and Johnny

The Greatest

The Great Gatsby

Harvest Moon

Knoxville Summer of 1915

The Mighty Casey

Rodeo

 

Ballet Russe Repertoire

Le Beau Danube

Les Biches

Le Combat

Cirque de Deux

Firebird

Frankie and Johnny

Gaite Parisienne

Giselle

Graduation Ball

Mozart Violin Concerto

Paganini

Paquita Pas de Trois

Petrouchka

Raymonda Variatons

Rodeo

Sheherazade

Sleeping Beauty

Suite En Blanc

L’Après-Midi d’un Fauné

Le Sacre du Printemps

Le Noces

Les Sylphides

Swan Lake

 

ADDITIONAL PERFORMANCE REPERTOIRE

Includes, but is not limited to the following:

Works By Loyce Houlton

Ancient Air

Chicare (The Rebel Angel)

Beauty and the Beast

Lone Poems

Poem for October

Prismatics

Knoxville Summer of 1915

Wingborne

 

Works By F. Ashton

The Dream

Wedding Bouquet

 

Works By Lynne Taylor Corbett

Appearances

Great Galloping Gottschalk

 

Works by Ben Stevenson

Dracula

Cinderella

 

Works by Ohad Naharin

Tabula Rasa

 

Works by John Cranko

Taming of the Shrew

Romeo and Juliet

 

Works by Michael Smuin

The Tempest

 

Works By Kenneth. MacMilllan

Elite Syncopations

 

Works By Peter Anastos

The Fairy's Kiss

Footage

Yes Virginia, Another Piano

 

Ballet Works by Antony Tudor

Lilac Garden

Dark Elegies

Little Improvisations

Offenbach in the Underworld

 

Works By Ruth Page

The Merry Widow

Carmen

 

Works By Bruce Wells

A Midsummer Night's Dream

The Great Gatsby

Romeo and Juliet

 

Works by Jiri Kylian

Return to a Strange Land

 

REFERENCES AVAILABLE UPON REQUEST

 

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